Sony Mirrorless Cameras>A6400 + 16-50mm f/3.5-5.6 II Lens

Sony a6400 Mirrorless Camera with 16-50mm f/3.5-5.6 II Lens

The Sony a6400 is a sleek APS-C-format mirrorless camera designed to enhance creativity with reliable performance. Featuring a proven sensor design, quick and precise autofocus, and intuitive operability, this well-rounded camera excels in both photo and video capture, making it the perfect companion for everyday moments and once-in-a-lifetime experiences.

24.2MP APS-C Exmor CMOS Sensor and BIONZ X Processor

The APS-C-format 24.2MP Exmor CMOS sensor realises smooth, nuanced image quality with minimal noise and high sensitivity from ISO 100-32000, which can further be expanded to ISO 102400 for working in low-light conditions. The sensor features a unique design that utilises thin copper wiring, enhanced circuit processing, and an enhanced front-end LSI to boost light-gathering abilities, reduce noise, and increase readout speeds to benefit video recording. The sensor and BIONZ X processor combination also avails a top continuous-shooting rate of 11 fps with AF and AE, or up to 8 fps with a silent shutter, and permits 14-bit raw file output for a wide tonal and colour scale.

UHD 4K Video Recording in XAVC S Format

• Internal recording of UHD 4K video is possible in multiple frame rates up to 30 fps using the full width of the sensor with 8-bit 4:2:0 colour sampling using the 100Mbps XAVC S codec.
• Oversampled 4K recording is also possible, which uses a 6K capture area within the Super 35 area, for greater detail. This full pixel readout is void of pixel binning for higher quality imagery with reduced moire and aliasing.
• Affording extensive customisable colour and gamma controls, the a6400 allows users to adjust the gamma, black level, knee, colour level, and more. Use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras, which squeezes up to 1300% more dynamic range into the video signal than traditional Rec. 709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 colour space, for recording within a wide colour gamut and, in addition to S-Log2, S-Log3 is also available for producing an effective 14-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
• In addition to high-resolution internal recording, uncompressed HDMI output also enables the use of an optional external recorder for clean 4K recording with 4:2:2 sampling.
• Interval shooting mode is ideal for creating time-lapse movies with the aid of Imaging Edge software. Intervals can be selected between 1-60 seconds for recording up to 9999 sequential frames.
• 4K video recording also avails the ability to produce 8MP stills during playback by taking a frame grab from a movie and storing it as a separate file.
• Slow & Quick (S&Q) mode allows shooters to capture Full HD video at specified steps between 1-120 fps. These settings will allow you to slow down action as well as speed up a slow-moving scene.

4D FOCUS

Covering nearly the entire sensor area, a powerful 4D FOCUS system incorporates 425 on-chip phase-detection points along with 425 contrast-detection areas for precise focusing in as little as 0.02 seconds. The density of focusing points from this hybrid AF system also enables High-density Tracking AF Technology, which is adept at tracking moving subjects in a variety of lighting conditions.

• Real-time Eye AF can be used to base focus on recognised human subjects’ eyes for portraits and is available in both AF-S and AF-C modes and for both stills and video.
• Eye AF can be used when photographing animal subjects, too, with any focusing mode when shooting stills.
• Lock-on AF maintains focus on moving subjects throughout the use of a configurable frame that is set over the desired moving subject
• Expand Flexible Spot employs neighboring focus points to retain focus on moving subjects even if the originally selected point loses focus
• The Focus Magnifier function can be used for critical focus when homing in on minute subject details
• Rear touchscreen can be used for Touch Focus and Touch Tracking control and a Touchpad Focus Control mode lets you use the rear screen intuitively while keeping your eye to the viewfinder
• In addition to autofocus, the a6400 also features a Peaking MF function to benefit manual focus control by highlighted sharp edges of contrast for a more objective means of acquiring sharp focus

Body Design and Connectivity

• Tru-Finder 2.36m-dot OLED electronic viewfinder offers a bright, high-resolution means for eye-level monitoring.
• A 3.0″ 921.6k-dot LCD touchscreen can be tilted 180° upward or 74° downward to suit working from high and low angles. The screen also incorporates White Magic technology with an RGBW pixel structure for increased brightness to support use in daylight conditions.
• The touchscreen design avails access to Touch Focus control, for immediate focus point selection, as well as a Touchpad function which lets you smoothly and intuitively select a focus point on the screen while you’re looking into the viewfinder.
• Integrated 3.5mm microphone ports afford greater control over audio during video recording.
• The included NP-FW50 rechargeable lithium-ion is rated for approximately 410 shots per charge when working with the LCD screen or 360 shots when using the viewfinder.
• In addition to the battery, the a6400 can also be powered via a USB connection to a computer or mobile battery. This connection can also be used to charge the battery.
• Built-in Wi-Fi enables the a6400 to instantly share imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices; no complex set-up is required. Once connected, the linked mobile device can also display a live view image on its screen and remotely control the camera’s shutter.
• Bluetooth connectivity allows for location data acquisition.

Sony E PZ 16-50mm f/3.5-5.6 OSS II Lens (Sony E, Black)

Designed for APS-C mirrorless camera sensors, the black E PZ 16-50mm f/3.5-5.6 OSS II Lens from Sony offers a versatile full-frame equivalent zoom angle of 24-75mm within a compact design. A variable aperture of f/3.5 to 5.6 helps keep the lens’s size and weight to a minimum while accommodating most use cases. When the camera is powered off, the lens retracts to just 1.25″.

Quick autofocusing and improved Optical SteadyShot image stabilisation counteract handheld camera shake for sharper imagery. Four aspherical elements and one Extra-Low Dispersion element ensure high-resolution imagery throughout the zoom range. The lens supports focus pulling while shooting up to 120 fps and autofocus while zooming for intuitive single-person filming with moving subjects.