Sony Cine Cameras|Mirrorless Cameras>Cinema Line FX2 Camera Body

Sony Cine Cameras|Mirrorless Cameras>Cinema Line FX2 Camera Body

$290.97

SKU: SKUn8m0PGYRWZ Categories: Cameras, Cine Cameras, Mirrorless Cameras, Pro Video, Video Cameras By Type Tag: Sony Brand: Sony

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Key Features:

627-Point Phase Detection Autofocus
AI-Based Subject Tracking System
4K 60fps and FHD 120fps
16-Bit Raw External Recording
15 Stops of Dynamic Range
Dual Card Slots with CFexpress
Bluetooth 5.0 and Dual-Band Wi-Fi
Internal 10-Bit Intra-Frame Codec

Sony Cinema Line FX2 Camera Body

Designed as an entry point into professional filmmaking, the FX2 is a full-frame camera from Sony’s Cinema Line, carrying forward the visual philosophy of the flagship VENICE series. Offering high mobility, intuitive operability, versatile expandability and dependable reliability, it’s perfect for solo creators. The FX2 also features enhanced still image capabilities to further support dynamic storytelling in filmmaking.

For that Professional Cinematic Look

The FX2 is a Cinema Line camera designed as a gateway into professional filmmaking. It combines the high image quality of a full-frame sensor with expressive capabilities modelled on Sony’s top-level VENICE cinema cameras, to bring your creative visions to life.

Tiltable High-definition Electronic Viewfinder

Keep focused on shooting even in bright or distracting environments, thanks to an OLED viewfinder with approximately 3.68 million dots. Magnification is 0.70x and the angle of view and eyepoint are optimised for video recording. The viewfinder itself can be tilted from 0 ° to +90° for easy viewing at just about any angle, and the eye cup can be removed or reversed left-to-right as necessary.

Effective Heat Management

Enjoy uninterrupted video recording time for formats up to 4K 59.94p. Heat buildup is prevented through a combination of an internal cooling fan, a highly thermal conductive graphite material used in the image stabilisation unit, and an innovative design that allows ample air intake even when the LCD monitor is closed. The cooling fan has three modes that can be selected according to shooting conditions: Auto, Minimum, and Off while Recording.

Durable Magnesium Alloy Chassis

High body durability has been achieved through the use of a lightweight, high-rigidity magnesium alloy for the top cover, front cover, internal frame, and rear cover. Accessory attachment screw holes and rings are machined from a hard stainless steel for maximum wear-resistance and reliability. The lens mount is attached by six screws for extra strength and rigidity that can handle heavy super-telephoto lenses.

Frequently used Parameters all in One Place

The FX2 inherits the BIG6 (Home) screen from high-end CineAlta cameras such as VENICE, which allows you to easily monitor six essential parameters in MOVIE mode: FPS (frame rate), ISO, Shutter (speed/angle), Aperture or ND Filter, Look, and White Balance.

4:2:2 10-bit or 16-bit Raw Output via Hdmi

HDMI Type-A terminal enables 4K 60p (59.94p) 4:2:2 10-bit or 16-bit RAW video output to an external recorder for flexible post production. Video output via HDMI can occur simultaneously with proxy recording to an internal memory card

Digital Audio without Degradation

With an XLR Handle Unit XLR-H1 attached, the FX2 can record high-quality audio via two XLR connectors and a digital audio interface without the need for extra batteries or cables. Microphones equipped with XLR connectors are available separately. Four-channel audio, 24bit recording, and other settings can be easily applied.

Power Consumption	[Still images]: Approx. 4.2 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
	[Movies]: Approx. 6.6 W (with FE 28-70mm F3.5-5.6 OSS lens attached)
	Battery Operating Time Approx. 470 shots (Viewfinder) / Approx. 520 shots (LCD monitor) (CIPA standard)
	Battery Operating Time Approx. 90 min (Viewfinder) / Approx. 100 min (LCD monitor) (CIPA standard)
	Battery Operating Time Approx. 150 min (Viewfinder) / Approx. 155 min (LCD monitor) (CIPA standard)
Operating Temperature	0 to 40 degrees C
Storage Temperature	-20 to +60 degrees C
Recording Format (Audio)	LPCM 2ch(48kHz 16bit), LPCM 2ch(48kHz 24bit), LPCM 4ch(48kHz 24bit), MPEG-4 AAC-LC 2ch
Recording Frame Rate	XAVC S-I 4K 3840×2160/59.94P, 50P, 29.97P, 23.98P, 25P
	XAVC S-I HD 1920×1080/59.94P, 50P, 29.97P, 23.98P, 25P
	XAVC S 4K 3840×2160/119.88p,100p,59.94P, 50P, 29.97P, 23.98P, 25P
	XAVC S HD 1920×1080/119.88p,100p,59.94P, 50P, 29.97P, 23.98P, 25P
	XAVC HS 4K 3840×2160/119.88p,100p,59.94P, 50P, 29.97P, 23.98P, 25P
Recording/Playback Time	XAVC S-I 4K
	59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes When using CEA-G80T (80GB) Approx. 10 minutes
	XAVC S-I HD
	59.94p/50p When using CEA-G160T (160 GB) Approx. 75 minutes When using CEA-G80T (80GB) Approx. 35 minutes”
	XAVC S 4K
	59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes When using CEA-G80T (80GB) Approx. 40 minutes”
	59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes When using CEA-G80T (80GB) Approx. 55 minutes”
	XAVC S HD
	59.94p/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes When using CEA-G80T (80GB) Approx. 150 minutes”
	59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes When using CEA-G80T (80GB) Approx. 210 minutes”
	XAVC HS 4K
	59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes When using CEA-G80T (80GB) Approx. 40 minutes”
	59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes When using CEA-G80T (80GB) Approx. 55 minutes”
	59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes When using CEA-G80T (80GB) Approx. 80 minutes”
	59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes When using CEA-G80T (80GB) Approx. 100 minutes”
	59.94p/50p 45M When using CEA-G160T (160 GB) Approx. 340 minutes When using CEA-G80T (80GB) Approx. 160 minutes”
Recording Format (Proxy Audio)	XAVC Proxy: AAC-LC, 128kbps, 2 channels
Recording Format (Proxy Video)	XAVC HS HD MPEG-H HEVC/H.265 1920×1080 4:2:0 10bit 16Mbps, 1920×1080 4:2:0 10bit 9Mbps
	XAVC S HD MPEG-4 AVC/H.264 1280×720 4:2:0 8bit 6Mbps
RAW Output	HDMI:4672 x 2628 (59.94p / 50p / 29.97p / 25p / 24.00p / 23.98p), Raw 16bit
Other video function	Audio Level Display
	Audio Rec Level
	TC/UB
	Creative Look
	Gamma Display Assist
	PAL/NTSC Selector
Recording (Still)	JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 5.0 format compliant)
	35mm full frame L: 7008 x 4672 (33 M), M: 4608 x 3072 (14 M), S: 3504 x 2336 (8.2 M)
Imaging Device (Type)	35mm full frame (35.9 x 23.9 mm), Exmor R CMOS sensor
Number of pixels (effective)	Movie: Approx. 27.6 megapixels max., Still image: Approx. 33.0 megapixels max.
Number of pixels (total)	Approx. 33.0 megapixels
ISO Sensitivity	[Movies]: ISO 100 – 51200 equivalent (expandable to ISO 102400), AUTO (ISO 100 – 12800, selectable lower limit and upper limit)
	[Still images]: ISO 100 – 51200 (expandable to ISO 50 – 204800), AUTO (ISO 100 – 12800, selectable lower limit and upper limit)
Shutter Speed	[Movie] 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode),
	[Still image] 1/4000 to 30 sec, Bulb,
Slow and Quick Motion Function	[XAVC S-I 4K/XAVC S 4K/XAVC HS 4K]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps2 ,PAL mode:1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps2
	XAVC S-I HD/XAVC S 4K]NTSC mode:1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps, 240fps2 PAL mode:1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps, 200fps2
White Balance	Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Color Temperature (2500 to 9900K) & color filter / Custom
Gamma Curve	Off / PP1-PP10, Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset
Latitude	15+ stop (S-Log3)
Focus Type	Fast Hybrid AF (phase-detection AF / contrast-detection AF)
Focus point	Movie 627 points, Still image 35mm full frame: 759 points (phase-detection AF)
Sensitivity range	EV-4 to EV20 (ISO100 equivalent with F2.0 lens attached)
Focus area	Movie AF-C, MF [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus, Wide / Zone /
	Center / Flexible Spot / Expanded Flexible Spot Still image Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking
Other focus features	Eye AF ([Movie] Human (Right/Left Eye Select,/ Auto, Animal, Bird, Insect, Car, Train, Airplane [Still image] Human (Right/Left Eye Select) / Auto, Animal, Bird, Insect, Car, Train, Airplane) AF Subj. Shift Sensitivity, AF Transition Speed, Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority)
Playback functions	Index view
	Folder selection (Date / Still / Movie)
	Photo capture
	4Ch audio monitoring
	Auto Review (stills)
	Image orientation (stills)
	Protect (stills)
	Rating (stills)
	Display as Group (stills)
USB Terminal	USB Type-C (x1, SuperSpeed USB 10Gbps (USB 3.2) compatible), Multi/Micro USB (x1)
Headphone Output	3.5 mm Stereo mini jack
Speaker Output	Built-in, monaural
HDMI Output	HDMI connector (Type-A) YCbCr 4:2:2 10bit / RGB 8bit
Multi Interface Shoe	With Digital Audio Interface
Monitoring	LCD: 7.5cm (3.0-type), Approx. 1.44M dots, touch panel, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.
Built-in Microphone	Built-in Microphone: Built-in, stereo
Media Slot 1:	CFexpress Type A / SD card, Slot 2: SD card Simult. Rec, Sort, Auto Switch Media, Copy
File System	FAT12, 16, 32, exFAT
Other still image function	Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot*3
Custom Function	Custom key settings, My Menu, My Dial Settings
Lens Compensation	Shading, Chromatic Aberration, Distortion, Breathing (Movie)
Wi-Fi	Supported Format: IEEE 802.11a/b/g/n/ac Frequency Band 2.4GHz band/5GHz bandwidth*4, Security WEP/WPA-PSK/WPA2-PSK
Bluetooth	Bluetooth Standard Ver. 5.0 (2.4GHz band)
FTP Transfer	FTP Transfer Func. (Wired LAN (USB-LAN), USB Tethering, Wi-Fi)