Samyang Cinema Lenses|Nikon F Mount>24mm T1.5 II VDSLR Cinema Lens for Nikon

Meet the New Samyang VDSLR MK2 Lineup

G’day mates! Samyang’s bringing out a fresh batch of VDSLR MK2 lenses, now with weather sealing, focal lengths written on both sides, a slick design, and 9 aperture blades. Building on Samyang’s legendary cinematic video quality, this groundbreaking cine lens series is set to be a real game-changer for indie filmmakers and low-budget project directors. With these lenses as their first cine lens set, they’ll be able to unlock new levels of creativity and bring their visions to life on the big screen.

Your First Cine Lens Set

The VDSLR MK2 set comprises 4 of the most-used focal lengths: 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the new models now have weather sealing, 9 aperture blades and their focal lengths are visible on both sides for more professional use. The range is highly versatile, available in 7 camera mounts.

Most Popular Focal Lengths in 7 Camera Mounts

The new VDSLR MK2 range is launching with 4 focal lengths: 24mm, 35mm, 50mm and 85mm. The 14mm T3.1 will also be ready by the first quarter of 2021. These provide angles which are essential for any creative or commercial projects. All 4 lenses are available and fully compatible with 7 camera mounts: Canon EF, Sony E, Canon RF, Nikon, Canon M, Fuji X and MFT. They are suitable for both DSLR and mirrorless systems and ready to support all types of filmmakers around the globe.

Compact Size with Long Focus Throw and De-Clicked Aperture Ring

The compact size of Samyang’s VDSLR lenses makes them perfect for hand-held and gimbal shooting. The VDSLR 50mm T1.5 MK2 is only 7.47cm in length and weighs just 0.526kg, but it is fully-featured with de-clicked aperture and focus gear rings. The long focus throw of over 130° enables cinematographers to focus precisely and exactly on their subjects, creating a more professional feel to video footage than with autofocus photo lenses.

Cinematic Video Quality, Covering Full Frame Sensor Size

In contrast to their compact size, the VDSLR MK2 lenses cover full frame sensors (36x24mm) and are ready for the high-quality video making environment. This new series inherits the outstanding image quality of previous series: All 4 lenses have aspherical lens elements to reduce spherical and optical aberration, producing clear and vibrant images. The 50mm model also has a hybrid aspherical lens element to maintain compact size, without compromising performance.

Fast T1.5 for Low-Light Situations

For independent filmmakers, a versatile lens saves time and budget. The Samyang VDSLR MK2 series has fast T1.5 apertures across all 4 models, supporting filmmakers and allowing them to concentrate more on the scene and creativity, without having to concern themselves about image quality, even in low-light situations. Also, the shallow depth of field available blurs out the background and highlights the subject, adding depth to the story.

9 Aperture Blades for Exceptional Bokeh and Starburst Effect

The new VDSLR MK2 series has been updated with 9 aperture blades and is able to deliver the latest image trends. The smooth and circular bokeh adds a three dimensional quality and pleasing out-of-focus effect. 18-ray starburst highlights can also be created by stopping down to small apertures.

Weather Sealing

As requested by many users, the MK2 series now includes a weather-sealing feature. This protects the most vulnerable gap between the lens and camera mount, to prevent dust, light rain and snow from penetrating. It provides the ability to capture stunning images in less than perfect conditions.

Updated Design with Side Scales

The Samyang VDSLR MK2 models have a sleek new design; black and matte finish boosts usability and professionalism on the set. They are lightweight but sturdy and fully equipped for numerous projects. The distance scales are readable from both sides, as are the focal lengths. These features support focus pullers and assistant cinematographers to operate more intuitively.